Academic Qualifications Master of Philosophy in Musicology, University of Cambridge, U.K. Bachelor of Music, Kingston University, London, U.K. Licentiate Diploma in Piano Recital, Trinity Guildhall College of Music, London, U.K. Licentiate Diploma in Musical Theory, Criticism, and Literature, Trinity College of Music, London, U.K. Diploma in Piano Performance (Distinction), The Associate Board of Royal Schools of Music, U.K. Certificate of Advanced Piano Performance (Distinction), School of Professional and Continuing Education, University of Hong Kong. Teaching Area Piano Performance Musicianship Music and Culture Current Courses 1.Visual and Performing Arts – Music (EDPA213)

Piano Performance Across Cultural Contexts Performance Analysis Nineteenth-century Western Piano Music Piano Pedagogy Piano Culture in China Twenty-first-century Pianists and their Performance Styles

Yuan, J. (forthcoming). Defining Traditional Chinese Genre. Trans. Danny K. N. Hui. Journal of the Central Conservatory of Music (English Edition), 2013:1. Hui, D. (2013). Review of “Musicians from a Different Shore”. Journal of the Central Conservatory of Music, 2013:2, 141-144. Hui, D. (2009). Lucerne Music Festival in Beijing. Journal of the National Centre for the Performing Arts, 2009:11. Conference Presentations Hui, D. (2013). Experience in/to Classical Music. Paper presented at the International Conference on Musical Performance Publications. Shanghai Conservatory of Music, Shanghai, China, March 2013. Hui, D. (2013). Natation of Pedalling as Expression Marking: Alternative Solutions to the ‘Problems’ of Chopin’s Pedalling Notations. Paper presented published at the Second National Conference on Musical Analysis Research. China Conservatory of Music, Beijing, China, May 2013.